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Broadcast & Livestream Production.

Broadcast and livestream production at the level you'd expect for live TV — because most of our broadcast crew came from live TV. Multi-camera switching, broadcast EIC, redundant streaming paths, fiber-fed remote production, IMAG, and the kind of ROC-grade discipline that keeps a Fortune 500 earnings call from making the news for the wrong reasons.

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Good fit for

When this works.

◇ Live TV broadcast support
◇ Corporate webcast production
◇ Sports broadcast staffing
◇ Festival and concert livestreams
◇ Earnings broadcast and shareholder events
◇ Multi-site sermon streaming for HOW campuses

What we hear

Problems we fix.

✕ Stream pixelating during Q4 earnings
✕ House audio and stream audio bleeding into each other
✕ Switcher operator who's never run a corporate broadcast
✕ Redundancy missing — single point of failure on the encoder
✕ Multi-camera production looking like one-camera production
✕ Comms breaking down between control and stage

Production scope

What's in.

Every show is bespoke — but here's the typical scope of work for broadcast & livestream production. Quoted line-item, no surprises.

◆ 01

Broadcast EIC + technical leadership

Engineer-in-Charge, technical director, broadcast PM — the disciplines TV-broadcast craft requires.

◆ 02

Multi-camera production

Manned cameras, PTZ, jib, Steadicam, drone — switched live or recorded for post.

◆ 03

Switching + control

Broadcast switchers (Ross, Grass Valley, Blackmagic, NewTek), graphics, replay, EVS.

◆ 04

Audio for broadcast

Dedicated broadcast audio mix separate from house, with broadcast-grade mixing and IFB.

◆ 05

Streaming + redundancy

Redundant CDN paths, primary + backup encoders, fiber-fed where required.

◆ 06

Crew

Camera ops, audio engineer, broadcast EIC, switcher TD, replay op, graphics op, comms tech.

How it goes

From scoping
to wrap report.

Show prep moves fast. Same-day scoping calls, run-of-show drafts in 48 hours, and a PM who doesn't disappear after the contract is signed.

01
Broadcast plan Camera plot, audio plot, comms plan, encoder spec
02
Pre-show test Full stream test 24h ahead, all paths verified
03
Run-through Tech rehearsal with camera blocking + audio check
04
Show Live, redundant, ROC-disciplined
05
Deliverables Recordings + post-cut as required

Common questions

Before
the call.

What's your redundancy strategy?+

Standard: dual encoders, dual CDN paths, dual audio feeds. For mission-critical (earnings, executive announcements), we add fiber-fed primary with bonded-cellular failover.

Can you do fully remote / REMI productions?+

Yes — fiber-fed remote production from a control room hundreds of miles away is routine. Common for sports broadcast and multi-site corporate events.

How do you separate house audio from stream audio?+

Dedicated broadcast audio mix, broadcast-only mics (lavs, IFB), separate routing from house PA. The stream gets its own mix tuned for headphones, not the room.

Permanent AV?

Same client. Different scope.

If your venue or property runs broadcast & livestream production regularly, our AV installation team can spec, install, and support the permanent systems behind it.

See LED Wall Installation →